The relationship of Le Corbusier with the street is complex and sometimes contradictory. young Jeanneret seems to be persuaded by certain sites, which we may define as urban scenarios, during his visits to cities like Istanbul in his formative years. Unlike his hometown La Chaux-de-Fonds – identified by a regular set of streets – these places may have been a picturesque coun- terpoint activated by a significant topography. Streets meandering along a set of ‘Dom-ino’ houses in the Oeuvre complete, as the tracking rails of a long shot recording, offer a changing viewpoint that may be considered in relation with such casual arrangements. The claim to kill the ‘rue corridor’ made in Précisions, together with his later writings, deeply contrast with his own comments on an empty Paris in the summer of 1942 – as published in Les Trois Établissements Humains – praising the same streets he pretended to erase by means of operations like the ‘Ilôt Insalubre No 6′. The objective of this paper is to highlight and discuss those contradictions, which can be illustrated by the technical machine-streets conceived for the Ville Contemporaine of 1922 versus the V4 streets formulated in 1947 to reconcile with traditional streets.
Monteys, X., & Fuertes, P. (2016). Le Corbusier. Streets, promenades, scenes and artefacts. Journal of Architecture and Urbanism, 40(2), 151-161. https://doi.org/10.3846/20297955.2016.1194606
Authors who publish with this journal agree to the following terms
that this article contains no violation of any existing copyright or other third party right or any material of a libelous, confidential, or otherwise unlawful nature, and that I will indemnify and keep indemnified the Editor and THE PUBLISHER against all claims and expenses (including legal costs and expenses) arising from any breach of this warranty and the other warranties on my behalf in this agreement;
that I have obtained permission for and acknowledged the source of any illustrations, diagrams or other material included in the article of which I am not the copyright owner.
on behalf of any co-authors, I agree to this work being published in Journal of Architecture and Urbanism as Open Access, and licenced under a Creative Commons Licence, 4.0 https://creativecommons.org/licenses/by/4.0/legalcode. This licence allows for the fullest distribution and re-use of the work for the benefit of scholarly information.
For authors that are not copyright owners in the work (for example government employees), please contact VILNIUS TECH to make alternative agreements.